For their first album "Sospiri d'amanti" with Spanish soprano Nuria Rial the Early Music ensemble Artemandoline was highly praised: "Here the mandolins sing that it is a pleasure" (Opernwelt). With their second album they take their listeners on a musical journey to 18th century Naples. Whether in the opera house, in the theaters or conservatories - music was omnipresent in Naples. It played an important role in the numerous salons and palaces where the clergy, music lovers and patrons of the arts met. So it is not surprising that not only the famous opera style of the Neapolitan School, but also a "Neapolitan Mandolin School" with its own sound and specific techniques was developed. For the first time, the ensemble Artemandoline has recorded five Neapolitan concertos on original instruments as world premiere recording, showing unusual but highly interesting aspects of Italian instrumental music. These Baroque concertos by composers such as Giovanni Paisiello (1740-1816), Giuseppe Giuliano (18th century), Domenico Caudioso (18th century) and Carlo Cecere (1706-1761) fascinate with their harmonic twists, ornate details and their own great melodic ingenuity.
Alla Tolkacheva,
ArteMandoline,
Carlo Cecere,
deutsche harmonia mundi,
Domenico Caudioso,
Giuseppe Giuliano,
Juan Carlos Muñoz,
Mari Fe Pavón,
Paisiello
ArteMandoline CONCERTI NAPOLETANI PER MANDOLINO
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For their first album "Sospiri d'amanti" with Spanish soprano Nuria Rial the Early Music ensemble Artemandoline was highly praised: "Here the mandolins sing that it is a pleasure" (Opernwelt). With their second album they take their listeners on a musical journey to 18th century Naples. Whether in the opera house, in the theaters or conservatories - music was omnipresent in Naples. It played an important role in the numerous salons and palaces where the clergy, music lovers and patrons of the arts met. So it is not surprising that not only the famous opera style of the Neapolitan School, but also a "Neapolitan Mandolin School" with its own sound and specific techniques was developed. For the first time, the ensemble Artemandoline has recorded five Neapolitan concertos on original instruments as world premiere recording, showing unusual but highly interesting aspects of Italian instrumental music. These Baroque concertos by composers such as Giovanni Paisiello (1740-1816), Giuseppe Giuliano (18th century), Domenico Caudioso (18th century) and Carlo Cecere (1706-1761) fascinate with their harmonic twists, ornate details and their own great melodic ingenuity.
KODE IKLAN 300x 250
For their first album "Sospiri d'amanti" with Spanish soprano Nuria Rial the Early Music ensemble Artemandoline was highly praised: "Here the mandolins sing that it is a pleasure" (Opernwelt). With their second album they take their listeners on a musical journey to 18th century Naples. Whether in the opera house, in the theaters or conservatories - music was omnipresent in Naples. It played an important role in the numerous salons and palaces where the clergy, music lovers and patrons of the arts met. So it is not surprising that not only the famous opera style of the Neapolitan School, but also a "Neapolitan Mandolin School" with its own sound and specific techniques was developed. For the first time, the ensemble Artemandoline has recorded five Neapolitan concertos on original instruments as world premiere recording, showing unusual but highly interesting aspects of Italian instrumental music. These Baroque concertos by composers such as Giovanni Paisiello (1740-1816), Giuseppe Giuliano (18th century), Domenico Caudioso (18th century) and Carlo Cecere (1706-1761) fascinate with their harmonic twists, ornate details and their own great melodic ingenuity.